This event is wheelchair accessible.
In German
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“The brainwashed individual does not just fall from the sky. He is created. He goes through years of training in inhumanity.”
Bertolt Brecht’s 1926 play Mann ist Mann explores how people—along with their attitudes—can be molded at will. Within a week, the worker Galy Gay is “reengineered” into an unfeeling fighting machine. In Erziehung zur Grausamkeit, Robert Misik examines the mass psychology of the new fascism.
The incited individual does not fall from the sky. He is made. Agitation stokes anger and bitterness, seeks to transform its followers into thoroughly paranoid characters, and fuels a cult of harshness, a delight in meanness, and fantasies about all manner of cruelties one could inflict on others. These are formative years of inhumanity.
Robert Misik not only analyzes which personalities are particularly susceptible to authoritarianism and which pathologies of our time favor the rise of the radical right, but also: What happens to individuals when they fall into the clutches of propaganda?
The event is being held in cooperation with the BuchBasel International Literature Festival (November 13–15, 2026). Festival pass holders receive free admission. We recommend that pass holders arrive at the box office approximately 20 minutes before the event begins. A limited number of festival passes have been set aside, but we cannot guarantee seating. More information here: BuchBasel
«Im Kopf von …» is a series of conversations and reflections organized by Werkraum Schöpflin and Kaserne Basel. It invites contemporary thinkers to take us inside their mental landscapes—into their research, doubts, analyses, and hopes. Together, we explore how, in a crisis-ridden world, we can not only hold our ground but also take a stance of solidarity and resistance that transcends boundaries!
Biografien
Robert Misik, 60, lives in Vienna and works as an author, journalist, theater producer, and curator. He writes for a wide variety of German-language newspapers, ranging from taz to Falter, WoZ, NZZ, and many others. He has published numerous books, including Marx for the Hasty, Brilliantly Contrarian, The False Friends of Ordinary People, and The Great Beginner’s Feeling: Modernity, Zeitgeist, Revolution. He is the recipient of the “Austrian State Prize for Cultural Journalism” and the John Maynard Keynes Society’s Prize for Economic Journalism. Since Milo Rau became artistic director, he has also served as dramaturg for various productions at the Vienna Festival.
Oliver Nachtwey is professor of social structure analysis at the University of Basel and conducts research on processes of social modernization and individualization, as well as on changes in the world of work. His work focuses on the development of social conflicts, digitalization, protests, and the rise of authoritarianism. He has received numerous awards for his book Die Abstiegsgesellschaft (2016). Gekränkte Freiheit. Aspekte des libertären Autoritarismus (2022, co-authored with Carolin Amlinger) was shortlisted for the Leipzig Book Fair Prize. His most recent publication is The Lust for Destruction: Elements of Democratic Fascism (2025, co-authored with Carolin Amlinger), which was awarded the Geschwister Scholl Prize and ranked number one on both the non-fiction bestseller lists of ZEIT/Deutschlandfunk Kultur/ZDF and the bestseller lists of NZZ/WELT/WDR5/Ö1.