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Outsight: Women on stage - views and perspectives
In cooperation with the Zurich musician and artist Franziska Bruecker, the February salon invites you to see and be seen differently.
Women on stage - what makes this setting still (supposedly) risky? How do we look, how do gazes inscribe themselves and continue to inscribe themselves in us? After the performance solos by Bernadette Köbele and Margaux Huber, we will discuss these questions with the artists, with feminist cultural critics and with you.
If you can't afford a ticket, please get in touch with us at info@feministischersalon.ch
Biographys
Franziska Bruecker is a musician, composer and curator. Her instruments are voice and electronics; her aesthetic language is absence. She places her work in the tradition of conceptual art, sample culture, electroacoustics and songwriting. Voice and electronics are used in a broad artistic practice: concerts, installations, performances, audio pieces, theater. Bruecker is part of the collective Bruecker_Meister_Trauffer, the Atelier für Digitalstoffe and is the initiator of SALON OUTSIGHT.
Margaux Huber is a transdisciplinary artist from Fribourg. In her work “UNTITLED”, she combines writing, performance and sculpture to create temporal ruptures that exist outside of normative and patriarchal constraints. Her new project consists of experimental sound pieces that she records in public spaces and in nature. She transforms these recordings into performative dimensions by using her voice and gestures to create an immersive universe. Huber's approach is sensitive and reflects her queer identity, exploring new forms of love and coexistence and creating spaces where encounters and mutual recognition are possible. Huber studied at the Bern University of the Arts (HKB) and graduated with a Bachelor of Fine Arts in 2022.
Bernadette Köbele is a transdisciplinary artist, cellist and performer. In recent years, her work has dealt intensively with (post-)colonial masquerades and patriarchal territories. She works with the means of choreography, music, the theatrical-performative and video and creates associative tableaux and spaces of consciousness. She conducts artistic research with gestures, poses, sounds, non-verbal communication, interpersonal moods and other micro-particles that contribute to maintaining a system of domination, usually in a processual manner and in etude-like repetition scenarios.
In her latest piece “I like patriarchy and patriarchy likes me* stage”, she examines the manipulation and constriction of inner female spaces on the (rehearsal) stage and, above all, its effects on an image of a passive female body that has become completely normal and familiar. She draws on a large pool of experience on the classical music stage, where she grew up and was disciplined.
B. Köbele studied violoncello in Salzburg, Paris and Basel and transdisciplinary art at the Zurich University of the Arts (ZHdK). As a musician, she performs on the big and small stages of Europe with various ensembles and orchestras. Her plays and video essays have been shown at Hyperlokal, Gessnerallee, Moods Zurich, Kaserne Basel and the far° festival Nyon.
Dramaturgy Michael Kleine
Costume Chiara Alissa Estivariz Lopez
Support Matthias Klenota
feministischer salon basel
Once a month, intellectual, provocative, political, funny, radical, racism-critical, affective and thought-provoking evenings on queer_feminist topics are organized. The Salon is a meeting point and gathering place for current issues and topics, often in connection with and always as an enrichment of the feminist program at the Kaserne Basel. The series is curated by Katha Baur, Caroline Faust, Franca Schaad and Franziska Schutzbach.
Credits
By and with
Katha Baur, Caroline Faust, Franca Schaad und Franziska Schutzbach
Koproduction
Kaserne Basel
Support
Christoph Merian Stiftung
