This event is wheelchair accessible.
This event has induction loop.
English with German subtitlesFetching prices
A group of young people wanders through the night in Johannesburg. They belong to Generation Z, born in the late 2000s—fifteen years after the end of apartheid—into a world of economic crises, reigniting wars, propagandistic hysteria, and heated tempers that can no longer agree on what is real and what is not.
They walk through a wounded past that has shaped this place for decades. These kids are not children, but manic poets. They have a heightened awareness of their environment, shaped by this history and its possibilities. They ask questions, they doubt, they desire, and they are vulnerable. Yet they do not hide their vulnerability; they turn it into their weapon. A camera follows them. The audience watches the action live on a large movie screen on stage—at the Kaserne Basel, ten thousand kilometers away, and at the Market Foundation in Johannesburg.
Kids (working title) is theater and live cinema—rehearsed, scripted, choreographed, and performed anew each time. Director and writer Boris Nikitin and director of photography and journalist Tšeliso Monaheng are developing the work together with six young actors in the vibrant city of Johannesburg.
Kids (working title) is a follow-up to the Basel cult classic Dämonen, which Nikitin produced in 2022 at Theater Basel in collaboration with Sebastian Nübling and cinematographers Robin Niedecker and Jelin Nichele. The new work takes it a step further. The audience and the performers are not only in the same city, but on the same planet: the world premiere will take place at the Kaserne Basel, the Market Theater Laboratory in Johannesburg, and the FIT Festival in Lugano—all at the same time.
Additional performances at the Kaserne Basel for spring 2027 are planned; dates to be announced.
Credits
Concept, Text, and Direction: Boris Nikitin
Director of Photography and Creative Collaboration: Tšeliso Monaheng
Director of Photography: Bantu Malang
Production Manager (Johannesburg): Thantaswa Mthembu
Production Manager (Switzerland/Germany): Alexa Tepen
Sound: Matthias Meppelink
Assistant Director: Mongezi Ntukwana
Technical Director, Johannesburg: Michael Inglis
Technical Director, Switzerland/Germany: Sebastian Sommer
Dramaturgy: Annett Hardegen
Outside Eye: Neo Muyanga, Sebastian Nübling
A collaboration with the Center for the Less Good Idea and the Market Theater Laboratory.
A co-production with: Kaserne Basel, HAU Hebbel am Ufer Berlin, Festival Spielart Munich, FIT Lugano
With the support of Gessnerallee Zurich.
Funded by: Theater/Dance Committee of Basel-Stadt and Baselland, Pro Helvetia, Ernst Göhner Foundation.
Biografie
Boris Nikitin - Direction, Concept, Text
Born in Basel in 1979, he is a director and playwright. His artistic focus lies in exploring documentary forms and propaganda. Questions regarding the construction of reality and identities are a recurring theme in all of his theatrical works. Building on this, Nikitin has been intensively exploring the relationship between art, illness, and vulnerability since 2015. This theme plays a central role in internationally touring productions such as Hamlet (2016–2023), Essay on Dying (2019–present), Magda Toffler (2022–present), and in his museum project The Last Reality Show (Museum Tinguely, 2023/2024).
Since 2022, Nikitin has been experimenting with the form of live cinema (Dämonen, Dämonen Berlin, Mixtape, Kids). Nikitin was awarded the J.M.R. Lenz – Dramatikerpreis by the City of Jena for his body of work. In 2020, he received the Swiss Theater Prize. Nikitin’s works have been invited to the “Impulse” festival five times, most recently in 2023. Nikitin is the founder and artistic director of the festival It’s The Real Thing – Basler Dokumentartage.
Tšeliso Monaheng - Director of Photography
is a filmmaker, director of photography, and multidisciplinary creative artist. Monaheng is part of a new generation of Southern African storytellers who transcend traditional genre boundaries between journalism, photography, music, film, and cultural criticism. Monaheng’s cinematography is characterized by an often raw and direct eye that focuses primarily on human faces, as well as cultural and urban landscapes. A recurring central theme in his work is the South African music scene, which he documents and portrays with his camera, as seen, for example, in the short film Indaba is all the people.
In addition to his work as a DoP, Tšeliso Monaheng regularly works as an author and cultural journalist. He writes for local and international media, including Rolling Stone South Africa, The Guardian, The Fader, as well as South African newspapers and online magazines.
Content Notes
At this time, there are no specific content notes that we or the artists wish to share with the audience. If you have any specific questions about content notes, the evening staff will be available on the night of the performance.