Female Perspectives on Music between Early Modern Times and Today
Clara Schumann often had to privilege her husband's artistic interests over her own; Fanny Mendelssohn was long overshadowed by her brother Felix; 200 years earlier, on the other hand, Barbara Strozzi was a real star whose fame lasted long after her death. Isabella Leonarda, the Mother Superior of a convent, was the first woman to have her music printed. Using the biographies of female musicians from the period ca. 1600-1850 and the social structures surrounding them, Anaïs Chen, Giovanna Baviera and Matthias Klenota discuss the challenges and opportunities for female composers and musicians historically and in today's classical music business.
Duration: 90 minutes
Website
feministischer salon
Once a month, intellectual, provocative, political, funny, radical, critical of racism, affective and thoughtful evenings on queer_feminist topics are organised. The salon is a meeting point and gathering place for current questions and topics, often in connection with and always as an enrichment of the feminist programme at the Kaserne Basel. The series is curated by Katha Baur, Caroline Faust, Franca Schaad and Franziska Schutzbach.
Gäst*innen
Anaïs Chen, Giovanna Baviera and Matthias Klenota
Credits
Guests
Anaïs Chen, Giovanna Baviera and Matthias Klenota
By and with
Katha Baur, Caroline Faust, Franca Schaad and Franziska Schutzbach
Co-production
Kaserne Basel
Supported by
Christoph Merian Stiftung