Simple physical exercises awaken the senses and sensitize for «Lick Life Against the Direction of its Fur»

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Tension is in the air: hope, fear, nostalgia, and gut feelings collide

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Tension is in the air: hope, fear, nostalgia, and gut feelings collide

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A mustachioed figure rummages through a mountain of material in search of the meaning of his existence.

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Robots come to life

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Robots come to life

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Theatre, Dance, Waffles!

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Robots come to life

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Robots come to life

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A mustachioed figure rummages through a mountain of material in search of the meaning of his existence.

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Kaserne Basel im Dunkeln mit vielen Lichtern

we're turning 45!

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Julian Vogel auf Rollschuhen

Ceramics + circus = risk of breakage

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(Doors )
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Julian Vogel auf Rollschuhen

Ceramics + circus = risk of breakage

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- (Doors )
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Julian Vogel auf Rollschuhen

Ceramics + circus = risk of breakage

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Julian Vogel auf Rollschuhen

Ceramics + circus = risk of breakage

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(Doors )
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This time we crush the Röstigraben with explosive beats and rhymes.

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On the 100th birthday of an icon of black resistance: Frantz Fanon

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(Doors )
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On the 100th birthday of an icon of black resistance: Frantz Fanon

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(Doors )
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Soundscapes of architecture, landscape, and desert

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The desert as a place of enlightenment

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(Doors )
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The desert as a place of enlightenment

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(Doors )
Porträt von Sahan
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Archetypal female figures, lost places – dance as rebellion against oblivion

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Awareness, Agency & Accountability in Music and Performing Arts

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Vier Personen bewegen sich auf der Bühne

What happens when we stop smiling away sexism from men? Exactly: they get a punch in the face! Bloody, jubilant, cathartic!

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Awareness, Agency & Accountability in Music and Performing Arts

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Vier Personen bewegen sich auf der Bühne

What happens when we stop smiling away sexism from men? Exactly: they get a punch in the face! Bloody, jubilant, cathartic!

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Part of the new series of discussions and ideas in collaboration with Werkraum Schöpflin

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You’ve been coming to my parties, I’ve been appearing in your dreams

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You’ve been coming to my parties, I’ve been appearing in your dreams

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(Doors )
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(Doors )

Fog machines and colonial ghosts: Queerness as an aesthetic principle

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(Doors )
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(Doors )
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(Doors )
Porträt von Brandhärd
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How do we connect in times of extreme polarization and isolation?

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(Doors )
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How do we connect in times of extreme polarization and isolation?

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How do we connect in times of extreme polarization and isolation?

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How do we connect in times of extreme polarization and isolation?

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In cooperation with Werkraum Schöpflin and BuchBasel

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Foto von vielen Menschen

A documentary dance evening with an audience

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(Doors )
Porträt von Grandbrothers
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Foto von vielen Menschen

A documentary dance evening with an audience

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(Doors )
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autofiction, autoeroticism and autodocumentation

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(Doors )
Porträt von Emel
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autofiction, autoeroticism and autodocumentation

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(Doors )
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(Doors )
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(Doors )
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The Young Gods hinter einer zersplitterten Glasscheibe
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Porträt von Patrizia Katica Bronić

Dalmatian klapa (English: “club”) singing styles meet Swiss yodeling Zäuerle

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Porträt von Patrizia Katica Bronić

Dalmatian klapa (English: “club”) singing styles meet Swiss yodeling Zäuerle

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(Doors )
Porträt von Löwenzahnhonig

Fai Baba, Long Tall Jefferson & Paul Mark (Black Sea Dahu)

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Porträt von Patrizia Katica Bronić

Dalmatian klapa (English: “club”) singing styles meet Swiss yodeling Zäuerle

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Porträt von Patrizia Katica Bronić

Dalmatian klapa (English: “club”) singing styles meet Swiss yodeling Zäuerle

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Porträt von Patrizia Katica Bronić

Dalmatian klapa (English: “club”) singing styles meet Swiss yodeling Zäuerle

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Following "Encantado", the luminary of contemporary Brazilian dance returns to Basel.

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Following "Encantado", the luminary of contemporary Brazilian dance returns to Basel.

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(Doors )
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(Doors )
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“I am not afraid of my body. If I were, would you feel more comfortable?” – Jéssica Teixeira

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“I am not afraid of my body. If I were, would you feel more comfortable?” – Jéssica Teixeira

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